Buried Treasure

Cameras and photos, books and magazines, radios, toys, etc. can clutter an attic, tell the story of a life, or decorate a newlywed's budget apartment. Is it just dusty old stuff to you or is it buried treasure?

I often tell people that our house is decorated in a combination of early College Apartment and Late Salvation Army. I hope that when friends come to visit they see evidence of creative lives well lived and assume that each oddly placed object that doesn't seem to match anything holds a story all it's own. That would be a correct assumption. Sometimes the story is about whatever happened to distract us from actually finding a better place to put said object, but that is the story of our lives.

From time to time as our daughters have grown we have used the objects we've gathered to tell them the story of our lives or of others we have known and loved and give them an appreciation for history. They knew exactly how my mother sewed clothes for me because I used the same cast iron Singer sewing maching (no zig zag stitch included) to sew clothes for them. They saw the young woman who would become my grandmother as I scanned my grandfather's 3x5 black & white negatives and saved them to my computer's hard drive for retouching and archiving later. They followed us, sometimes impatiently, as we wandered through flea markets and antique stores, recognizing items that filled our childhood homes, occasionally adding something to our collection.

I've been gathering vintage cameras and photography equipment for years. I love picking up an old camera, feeling the weight of it in my hands, looking at it from the photographer's point of view. I can see all the steps  a photographer took to record babies' first smiles, first days of school and high school graduations. Some cameras in my collection once belonged to family members, some I've picked up just because I liked the look of them.  My older daughter remembers watching me develop pictures of her in my homemade darkroom using an enlarger that had belonged to my father.

As older relatives have passed away and family members have downsized, our collection has grown and we are making choices about what we really want to keep and what must go to someone else who will value it and make a place for it in their home. We're getting ready to open a shop of vintage items on Etsy. I've been busy for weeks now, sorting and photographing things we'll be offering for sale, writing descriptions that tell their story and getting ready to let them go. Some we've had all our lives, some were just passing through. The shop will be ready to go public sometime in the next week or so. I hope you'll check it out and share it with all your friends, too.

In the meantime, here's a photo of an old type tray I picked up at a flea market years ago. I started displaying a few small souvenirs and things in it and slowly filled it up. Each one tells a story, but they don't take up much space. Feel free to leave a comment and ask me about them and maybe I'll tell you the story in my next blog entry.

A Significant Investment

I bought a camera.

Let me say that again.... I bought a camera.

I hardly ever spend any significant amount on anything, mainly because I never have any significant cash.


About 25 years ago I took a leap of faith and bought a Minolta X-700 and a couple of lenses. As time went on I was able to add a couple more lenses and a flash to my camera bag, too, often by buying and selling vintage cameras. I'd been using an old Miranda G camera outfit that had belonged to my father and felt sure that I could be a better photographer if I could only get past the limitations of my equipment.

I was right. My images improved along with my confidence and I eventually worked for several years as a freelance photographer.I shot portraits and covered campus events for the University of Mary Hardin-Baylor's public relations department (including darkroom work). On a volunteer basis I documented the life of my church for the eleven years we lived in Belton, Texas, too.


But the industry passed me by as I was taking a little break, having relocated from Texas to Maryland. The cost of investing in a digital single lens reflex camera and related equipment was well beyond my budget. I did what I could with a couple of point-and-shoot and "pro-sumer" cameras while saving up my pennies from my Etsy and Zazzle shops and researching each new model of camera and finally....

I bought a camera. 

A Canon T2i. I'll spare you the details, but you can read all about it here.

This is a significant leap of faith for me, as I can think of lots of other things I could have done with the same amount of money. But I know that this camera will be able to shoot as fast as I can see. It will enable me to shoot in low light without using a flash, which I love to do. It will even shoot video in full HD...not that I even have an HD TV yet, but one thing at a time!

I confess that I'm the kind of techie geek who reads the whole instruction book from cover to cover and I've still got a few chapters to go. But I've already been putting it through its paces and you can be sure that I'll be posting more photos here in the days to come.

I think you ought to make a significant investment in yourself every twenty-five years or so, don't you?

A Mirror On Your Christmas Tree

I came up with a fun thing to do with my pocket mirrors this Christmas...hang them on your Christmas tree! Here's the front and back of one that's my original design:





I've saved a few special, one of a kind, images I'm recycling from vintage magazines published around Christmas and they'll be perfect for these. Here' my first two:





I have more vintage Christmas ones still to come, as well as something special for collectors of vintage cameras or guitars, or for you favorite computer geek (because I like those things, too). Here's one I made with a picture I took of the Miranda G 35mm slr I got years ago from my dad (I blogged about this camera rehere):



I'll be happy to make you some custom pocket mirror ornaments to hang on your tree. I can make you one that says Merry Christmas to someone special or use your photo to make one. Just leave me a comment here or a convo on Etsy and I'll fix you right up!

Aunt Fiesty's Camera

One thing I've learned how to do since opening my Etsy shop is to take pictures of the things I make. I worked as a freelance photographer for several years, so I have experience in journalistic and documentary photography and black & white darkroom work, too. I also used to do a lot of casual portraits. But product photography was new to me.

In a couple of other posts on this blog I showed you how I take my pictures using window light and reflectors (see "Taking Pictures" and "Taking Pictures Part 2: Reflections") so I won't elaborate on that here.

I decided to apply those techniques to my collection of vintage cameras. One of my most recent acquisitions is this Argus C3 35mm rangefinder camera.

This particular camera once belonged to my Aunt Fiesty. That wasn't her real name. We just called her that because she was. I heard that the nickname came from my grandmother, a classmate of Aunt Fiesty's in college, but that was before she married my grandfather, Aunt Fiesty's brother. My grandfather's nickname was "Speedy". Yeah, it's that kind of family!

My family is aware of my fascination with vintage cameras, so when my Aunt Fiesty passed away, they knew I would give this camera a place of honor in my collection. It was kept in a leather case that barely had a mark on it. I thought if the case was that pristine, what must the camera inside look like! And I wasn't disappointed.

As you can see from these pictures, it looks almost like brand new.










If you'd be interested in getting a photo of this Argus C3 camera, I have it available in my Etsy shop as a 5x7 photo and an ACEO.

If you've had some experience with the Argus C3, leave a comment and tell me about it. And if you have an "Aunt Fiesty" of your own, I'd love to hear from you, too!

Christmas is Still Coming!!

Still working on that custom order for my Mini-Puzzle Ball Christmas Ornaments. I figured I'd post some pictures along the way so you can see the progress I'm making.

These pictures were also a fun way to try out my new camera...an updated version of my old one, which makes the learning curve manageable. I can tell I'm gonna have fun with this one! Click on this picture and the one in my previous post and you'll see the difference, too!

Vintage Camera: Miranda G

In my last post I mentioned that I collect vintage cameras. I thought I'd share one of them with you. It's the one that really got me started on this kick.

When I was in college, my dad gave me his old Miranda G outfit. A fully mechanical 35mm SLR, with a 50 f1.9 lens, a 135 f3.5 lens and a 2x teleconverter. Having only used Kodak Instamatics up to this point, I was eager to try it out. He also gave me a small hand-held light meter...a necessity with this camera, since it had no meter built in.

I would point the meter at the palm of my hand in bright sunlight (or the brightest part of a room), then again in the shadows (or the darkest part of a room) and that would give me my range of F-stops and shutter speeds. Then I'd tuck the light meter in the back pocket of my jeans and wouldn't need to take it out again unless the light changed. Shooting this way forced me to be aware of how the light fell on my subject...or didn't...and adjust my settings accordingly. Of course, back then, I wouldn't know if I'd done it right until days later when I'd get my prints back from the lab. That was before the invention of the 1-hour labs!

I discovered that those old Miranda lenses were pretty sharp. Later when I decided it would be nice if I could get another lens or two to add to this outfit, I started doing some research about Miranda cameras. No internet access then, so I got most of my information from Shutterbug magazine. I found out that the Miranda camera company had been out of business for awhile, but back in the 1960's they had a good reputation and were used by some pros. They were one of the camera companies, along with Nikon, to come out of Japan and catch the attention of the working pros of the time.

But the camera I had, the Miranda G, was a professional model. It had mirror lock-up, a feature considered a necessity for doing good copy work. It also had a removable pentaprism with several different versions available, including a couple with light meters, one with a flip up viewer (like you'd find on the Rolleiflex), and one with a flip-up magnifying viewfinder. It also had interchangeable focusing screens so you could pick your preference.

But what really set the Miranda apart was the lens mount. It was a dual mount, with an external bayonet and and internal screw mount. With these two mounts and a variety of adapters Miranda made, you could use your Miranda SLR with just about any lens on the market, including Nikon, Pentax, and even Leica lenses.

I always thought this was a very elegant looking camera, with some distinctive features. The front-mounted shutter release was one of them. I found that I could easily take pictures at slower shutter speeds with this camera that with others because the placement of the shutter release allowed me to gently squeeze it between my finger on the front of the camera and my thumb on the back, making camera-shake much less likely.

You can read more about Miranda Cameras here.

Now here are a few photos of my Miranda G:

My Dad's Cameras

A few posts back I mentioned my dad and all the pictures he took of my family when I was a kid. As Father's Day approached this year I wanted to make something special for him. I'd been combing through all my old photography magazines I'd collected, looking for small images of cameras and other paraphenalia that I could use to make buttons, magnets and thumb tacks for my etsy site. So I went digging again to see if I could find the cameras Dad used.

I found them.

A beautiful full page ad for the Yashica 44.

A smaller image of the Leicaflex SLR and an even smaller one of the Miranda G from old annual buyer's guides included in the magazines.

Not wanting to take a chance on ruining my only copies of these images during the construction of my projects, I opted to scan these into my computer, tweak the brightness and contrast and sharpen them up a bit. Then I used printouts of them instead of the originals.

For each camera, I carefully cut out the entire image, leaving only the camera itself and no background. I glued these to green cardstock and cut mats for each out of black matboard. The Yashica 44, matted, is 5 x 7 inches and each of the others are the standard ACEO size of 2 1/2 x 3 1/2 inches, like others I've posted on my Etsy site.

I had called Dad to warn him that his Father's Day present would be arriving late, but he said he didn't mind. We've been spreading out our holidays lately, making them last a long time after letting the dates slip up on us too late for gifts and cards to arrive on time. Mom was the one who always remembered such things and since her death a little over a year ago the rest of us have been trying to play catch-up. Oh, well...it makes those special occasions last a little longer.

I finally mailed these today.

I hope he likes them. I think he will.

Camera Buttons

I grew up in a family of photographers. Some of my earliest memories include gathering with the whole family in a corner of the living room near the largest expanse of blank white wall to watch a slide show presented by my father. Dad had an old Argus slide projector...the kind with a flat round plate with slots for the slides...you loaded one in the top, rotated the plate until the slide was in its proper place, then take out the old one. One by one, we'd see the whole show. And in the blank spaces when he was searching for a particular slide or fixing one that was upside down my brother and I would jump up and start our shadow-animals show while everybody waited.

One of the cameras Dad used often was a Yashica 44 twin lens camera that used 127 format film. Later it was a Miranda G outfit with three lenses and then Leicaflex, the first SLR ever produced by Leitz. I learned photography using that old Miranda G and I still have it. The Leicaflex I sold years ago (with Dad's permission) to get my first Martin guitar, but I'll save the guitar stories for another day. I started to really get interested in vintage cameras when I began researching that Miranda camera, wondering if I might find more lenses to go with it.

I started browsing camera shows when I lived in Ft. Worth, TX, talking to photographers at the campus print shop where I worked and became thoroughly fascinated. If you knew the features of a particular camera, understood how it worked, and could find the film it used, you could take it out and get beautiful pictures with it, just like when it was new.

Working without a light meter forced you to be more aware of the light and how it played on the subject. When I entered a room where I knew I wanted to shoot some candids of people, I would take a small hand-held light meter from the back pocket of my jeans and take a reading off my hand in the shadowy corners and in the brightest part of the room. Then I knew the effective range of shutter speeds and apertures I could use. I would watch for the changes in lighting and shoot without having to refer to light meter again all evening and was generally pleased with the results. Of course, I could've gotten a new camera with a light meter built in, maybe even with autofocus...but where's the challenge in that?

To honor this heritage of photographers and the great old cameras they used, I've been making buttons with images of classic cameras recycled from photography magazines I've collected. Some are listed for sale in my etsy shop, and I have lots more I haven't gotten around to listing yet. (I've also made some ACEO's with them, but you'll have to see a previous entry for those.) Here are a few of my favorites. (If you don't see your favorite classic camera here, leave me a comment and tell me what you're looking for...chances are, I've got it here somewhere!).....

Pushing My Buttons

I just love this little button machine! Everywhere I look I see little one inch circles of art and come up with new things to do with them. Pin-back buttons, button magnets, thumb tacks, you name it. Here are some I listed on my etsy site this weekend:

Dancing With the Stars, Etc.

I decided to try my hand with the ACEOs I see listed on Etsy. Art Cards Editions and Originals, they say it stands for, although if they're traded and not sold they're Artist Trading Cards or ATCs. Apparently the only rule is that they have to be 2.5 x 3.5 inches in size.

Since I've been wading through lots of small images from vintage magazines I've been using to make my 1 inch buttons, I thought some of those would be worthy of showcasing on their on ACEOs. I got out my hand-held mat cutter, made some tiny measurements, and here's what I came up with*:






I've been making a lot of 1 inch buttons using small images of classic cameras from old photography magazines I've collected and I thought I'd use some of those, too:





It's a challenge cutting tiny little beveled cuts that are only 1 or two inches in a piece of matboard that's only 2.5 x 3.5 inches in size...but then, I love a challenge!