I grew up in a family of photographers. Some of my earliest memories include gathering with the whole family in a corner of the living room near the largest expanse of blank white wall to watch a slide show presented by my father. Dad had an old Argus slide projector...the kind with a flat round plate with slots for the slides...you loaded one in the top, rotated the plate until the slide was in its proper place, then take out the old one. One by one, we'd see the whole show. And in the blank spaces when he was searching for a particular slide or fixing one that was upside down my brother and I would jump up and start our shadow-animals show while everybody waited.
One of the cameras Dad used often was a Yashica 44 twin lens camera that used 127 format film. Later it was a Miranda G outfit with three lenses and then Leicaflex, the first SLR ever produced by Leitz. I learned photography using that old Miranda G and I still have it. The Leicaflex I sold years ago (with Dad's permission) to get my first Martin guitar, but I'll save the guitar stories for another day. I started to really get interested in vintage cameras when I began researching that Miranda camera, wondering if I might find more lenses to go with it.
I started browsing camera shows when I lived in Ft. Worth, TX, talking to photographers at the campus print shop where I worked and became thoroughly fascinated. If you knew the features of a particular camera, understood how it worked, and could find the film it used, you could take it out and get beautiful pictures with it, just like when it was new.
Working without a light meter forced you to be more aware of the light and how it played on the subject. When I entered a room where I knew I wanted to shoot some candids of people, I would take a small hand-held light meter from the back pocket of my jeans and take a reading off my hand in the shadowy corners and in the brightest part of the room. Then I knew the effective range of shutter speeds and apertures I could use. I would watch for the changes in lighting and shoot without having to refer to light meter again all evening and was generally pleased with the results. Of course, I could've gotten a new camera with a light meter built in, maybe even with autofocus...but where's the challenge in that?
To honor this heritage of photographers and the great old cameras they used, I've been making buttons with images of classic cameras recycled from photography magazines I've collected. Some are listed for sale in my etsy shop, and I have lots more I haven't gotten around to listing yet. (I've also made some ACEO's with them, but you'll have to see a previous entry for those.) Here are a few of my favorites. (If you don't see your favorite classic camera here, leave me a comment and tell me what you're looking for...chances are, I've got it here somewhere!).....